America’s Got No Talent
America’s Got No Talent — by Jonah Brucker-Cohen and Katherine Moriwaki — is a web-based software project that synthesizes and processes the steady stream of Twitter feeds for several American reality...
View ArticleTextil{e}tronics
Textil{e}tronics: From the Textile to the Electronic Thread, From Substance to Fashion Item: Following the development of a simple thread into complex new media objects, the exhibition will touch upon...
View ArticleLive Stage: Social Media For Urban Research [NYC]
Social Media For Urban Research :: March 27, 2012; 6:30 - 8:30 pm :: Studio-X NYC, 180 Varick St., Suite 1610, New York City. Social media are increasingly becoming part of our everyday lives, from...
View ArticleHz Journal: Dynamic Performance of Nature
[DPoN showing temperatures in the low-60's, clear skies, and winds out of the south (indicated by the vertically-oriented yellow streak to the right)] Dynamic Performance of Nature: Augmenting...
View ArticlePicture This - Reinventing The Camera As A Social And Anti-Technological Object
["Wifi Camera," Sjölén, Haque, Somolai-Fischer, 2006] From Picture This — Reinventing The Camera As A Social And Anti-Technological Object by Jonah Brucker-Cohen, The Creators Project: [...] “Examining...
View ArticleA {Digital} Stitch In Time
A {Digital} Stitch In Time :: Calling all artists whose practices are at the intersection of art, craft and digital technologies to be considered for inclusion in a writing project about artist...
View ArticleLive Stage: Harrell Fletcher [online]
Harrell Fletcher: Where I’m Calling From :: June 28, 2012; 8:00 pm (BST) :: Online at BMW Tate Live: Performance Room. Artist Harrell Fletcher invites busking musicians to take their performances from...
View ArticleVirality: Contagion Theory in the Age of Networks
Virality: Contagion Theory in the Age of Networks by Tony D. Sampson, University of Minnesota Press: In this thought-provoking work, Tony D. Sampson presents a contagion theory fit for the age of...
View ArticleArtificial Hells: Participatory Art and the Politics of Spectatorship
Artificial Hells: Participatory Art and the Politics of Spectatorship — A searing critique of participatory art by an iconoclastic historian, Claire Bishop, Verso Books: Since the 1990s, critics and...
View ArticleRemediating the Social [Edinburgh]
Remediating the Social :: Conference: November 1-3, 2012 :: Edinburgh College of Art, Lauriston Place, Edinburgh, EH3 9DF :: Exhibition: November 1-25, 2012 :: Inspace, 1 Crichton Street, Edinburgh,...
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